Most of you are no doubt familiar with Toynbee ideas. And some of you are no doubt aware that their use in Kubrik’s 2001 are resurrecting the dead on planet Jupiter. But for the uninitiated, I figure an explanation of sort is in order. Long before there was the internet, or irc… there was a simple humble man. A man who knew too much some say. He knew of the sinister plot laid down in cinematic effigy, a necromancy of astronomical proportions. We do not know his name, or where it was he came upon this information, but society today is forever changed by his message. And the above image is just one of hundreds if not thousands of similar embedded messages in streets and sidewalks across the world.
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We’ve had an uptick in the number of folks intereseted in laser cutting something on our lovely laser cutter here at NYCR. In an effort to keep our collective sanity, lasering is now by appointment. This way no one makes a trip out to our space only to find someone else is on the laser, or no one ‘s around.

To make it easier, we’ve set up a page explaining how to set up laser time with us, how you can learn to use the laser, and how much it’ll cost you. You can send any additional questions to [email protected].

I like laser etching bizarre materials and the latest is compressed cellulose sponge, which can be found at most craft supply stores.

Emulating a fantastic lawyer from a classically elegant television show, The Simpsons, I made sponge business cards.

Compressed sponges expand when you put them in water, its awesome! They were cut on a 35 watt laser at 100% speed, 100% power, and a frequency of 1000.

You can pick up some of your own on Etsy. They’re super fun to play with. Oh, I guess you could use them for cleaning too. I did a whole bunch of tests with sponges, with full details at kellbot.com.

One cold day in november members of NYC Resistor received a nondescript box… There were no markings on the box that could identify any specific member at NYC Resistor to which it had been sent. They opened it to find what appeared to be 4 hand gr3nades.
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When I was a teenager I wanted a “real camera” so so much — I built a pinhole camera from the instructions in a 4-H booklet, and I shot rolls of 110 with it and also a crappy little camera I bought at a department store with money from my library job. What I really wanted was a 35mm camera, though — a Real Camera.

I never got that real camera, although over the years I shot plenty of rolls of 35mm film in various random point-and-shoots. I always found it kind of dissatisfying, though. But five or six years ago I got a digital point-and-shoot and it was wonderful! I took so many pictures, and learned so much, and last year I jumped in with both feet and bought a Nikon D70 and a couple of lenses — in my heart, this was my first Real Camera. I got even more excited about taking photos with my first real camera and this has inspired me to go on with my love for photography. Now, I’ve got more inspiration to preserve them through online photo book makers like PrintedMemories.

Tenzing! cc-licensed by yarnivore

This month, though, I’ve made a 180-degree turn. Instead of pursuing fancier and more expensive digital technology, I’m exploring 35mm film rangefinder photography. In 2009!

Yashica Electro 35 G – photo by Suviko – cc-licensed

I’ve been thrilled to discover that there are so many wonderful people, all over the web, still using these cameras. Better yet, they not only post their photos, but belong to super-active communities where they discuss the gory technical details. The didactic generosity I’ve seen already is wonderful — people really take the time to share their knowledge.

Electro 35 test shot – cc-licensed by Geopelia

I’ve cleaned up my new/old Electro 35 G (it’s got a 45mm f/1.7 Yashinon lens) as well as an Agfa Silette (Apotar 45mm f/3.5 in a Prontor-S shutter). I’m in the middle of shooting my test rolls, and I can’t wait to see the shots!

Turns out I’m not the only person at the Resistor who likes cameras and film — so we’re going to be playing with developing here. Of course, there are groups on Flickr for that, too.

It’s taken over 20 years for me to get back to the idea of shooting 35mm (and soon, 120) film. I’m perfectly happy with how this has turned out, though. If Malcom Gladwell is right, and you really do need 10,000 hours of practice to succeed, then I’ve just been putting in my time, shooting lots of frames and getting more comfortable with my tools.